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Formative period
(c.7500 B.C.-mid-sixth century A.D.)
Japan's
prehistoric culture is divided into three periods: the Jomon period
(c. 7500 B.C.-c.300 B.C.), the Yayoi period (c.300 B.C.-c. 300
A.D.) and the Kofun, or Tumulus period (c. 300 A.D.).
The Jomon
period is best known for its stone age earthenware which is typically
pottery of simple shapes with primitive relief decoration. The
most sophisticated artifacts from this period include very stylized
clay figurines known as dogu.
The
Yayoi period produced more sophisticated earthenware pottery with
more refined shapes and basic geometric decoration. Also, dating
from this period are bell-shaped bronzes known as dotaku,
which were probably derived from Korean musical instruments and
are thought to have been symbols of authority.
The Kofun,
or Tumulus period is named for the mound-covered tombs of clan
chieftains which emerged as the government became more centralized.
Artifacts from these tombs, include armor and various ornamental
objects and are similar to objects found on the Korean Peninsula
of the same period. Haniwa or simple clay animal and human
figurines were often mounted on the borders of the tombs.
Asuka and Hakubo periods (552-710 A.D.)
Buddhism
was first introduced to Japan from the Korean Peninsula in 538
which greatly influenced the architectural style of these periods.
Korean architects influenced by Chinese Buddhism, brought new
techniques to Japan resulting in the design and construction of
the Horyuji Temple in Nara as well as the creation of Buddhist
images in sculpture. In 1993, the United Nations Educational,
Scientific and Cultural Organization's World Heritage Committee
placed the Buddhist architecture of Horyuji on the World
Heritage List.
Nara period (710-794 A.D.)
Japanese culture of this period was influenced by the Tang Dynasty
in China. Buddhist priests began to bring many cultural and
religious developments from China and systematically introduced
them to Japan. The architecture is characterized by simple,
clean lines without ornamentation and is best seen in the Toshodaiji
temple in Nara. Sculpture from this period, made of clay or
dry lacquer, is on exhibit at the Toshodaiji Temple, as well.
Heian period (794-1195 A.D.)
Japan
started to turn away from the cultural influences of China and
Korea as an independent aristocratic culture emerged. In 794,
the nation's capital was moved to Heiankyo (now Kyoto) where
large-scale civil engineering and construction projects were
launched to build the new metropolis. Art was greatly influenced
by Buddhism and Yamato-e (secular Japanese-style painting)
emerged. E-maki or illustrated scrolls became a popular
art form featuring stories and poems matched with pictures of
daily life.
Kamakura period (1185-1333 A.D.)
Early in this
period, the Warrior class took control of the country from the
aristocracy and moved the capital of Japan to Kamakura. The
Zen sect of Buddhism (introduced from Sung-dynasty China) was
embraced by the new ruling class and consequently Zen strongly
influenced the culture of this period. Many Zen temples were
built such as the Kenchoji and Engakuji in Kamakura and master
sculptors of the day created realistic portraits and Buddhist
sculpture.
Muromachi period (1333-1573)
The
nation's political and cultural center moved back to Kyoto and
the warrior class began adopting aspects of the aristocratic
and Buddhist culture which had continued to flourish in Kyoto
during the Kamakura period. The third shogun, Ashikaga Yoshimitsu,
influenced by Zen Buddhism, built Kinkakuji (Temple of the Golden
Pavilion). During this period, Japanese-style gardening flourished
and many gardens designed by Zen priests still exist today.
Ryoanji, one of the most famous of these gardens, is designed
in the kare-sansui style or symbolic gardening style
in which sand is used to portray water, and rocks, mountains.
In 1974, UNESCO placed over 17 Kyoto temples and shrines on
the World Heritage list including, Kinkakuji, Ryoanji and Byodoin.
Residential
architecture also flourished during this period and the popular
shonin-zukuri style of architecture was born. Shonin-zukuri
means "made for regular people" specifically, architecture designed
for the newly evolving middle class. With it came the use of the
tatami mat as a residential floor covering, the emergence
of the tea ceremony and Ikebana
(Japanese flower arrangement), as well.
First contact
with the West was in 1549 when Francis Xavier established a Christian
mission in Japan in the southern city of Kagoshima. Then, in 1571
the first Portuguese merchant ship arrived in Nagasaki to begin
trade.
Momoyama period (1573-1603)
The
Momoyama period marks the end of a long period of civil strife
(as feudal clans fought for control during the latter half of
the 15th century) and the beginning of a era of unification
under Oda Nobunaga. After his death, Toyotomi Hideyoshi gained
control of the government and did much to advance trade with
Europe and introduce western culture to Japan. This period of
prosperity enabled the warrior class to build lavish, highly
decorated castles and the merchant class to participate in and
further develop traditional Japanese culture - once the exclusive
privilege of the aristocracy. In particular, the tea
ceremony became very popular and with the introduction of
new techniques from the Korean peninsula, the design of ceramic
objects used in the tea ceremony thrived. At the same time,
a unique form of architecture emerged called sukyoa-zukuri
which is the design of tea houses which is still used today.
The Himeji Castle in Hyogo was placed on the World Heritage
List in December 1993.
Edo period (1603-1868)
Edo
is the old name for Tokyo and is also the name of the period
when the Tokugawa shogunate gained control of Japan and
established a national policy of isolationism or sakkoku.
As active city centers emerged in both Edo and Osaka the merchant
class thrived, furthering the spread of popular Japanese culture.
Many different art forms developed such as rinpa (heavily
colored decorative painting), maki-e (objects decorated
with gold ornamental lauder), Bunjinga (a Chinese influenced
literary painting style) and most notably Ukiyo-e
or woodblock prints of everyday life. At this time, Nagasaki
was the only port open to the west and it was there that the
western style of painting in perspective was first introduced
to Japan. Japanese Ukiyo-e masters such as Katsushika
Hokusai and Ando Hiroshige used perspective in their colorful
woodblock prints depicting daily life and Japanese landscapes.
Meiji
period (1868 - 1912)
The
Meiji restoration opened Japan back up to the west enabling
full scale contact with western art and traditions. Youga (western
style painting) became popular as Japanese artists began painting
in oil for the first time. In 1898 Okakura Kakuzo established
the Japan Fine Arts Academy which through its many exhibitions,
gave the public the opportunity to view both traditional Japanese
and western art.
Taisho period (1912-1926)
With a weak emperor at its head, the Taisho period was not particularly
fruitful or long-lived. During this period, Japan's political
power shifted from the emperor to the democratically elected parliament.
Japan joined the Allied Powers during the First World War, then
entered a period of great economic depression. The most significant
historical event during this period was the Great Kanto Earthquake
of 1923 which leveled Tokyo, Yokohama and the surrounding area
killing 140,000 people.
Showa period (1926-1989)
Emperor
Hirohito reigned during the Showa period up until his death
in 1989. The early part of the Showa period was a period of
Japanese Imperialism during which Japan went to war with China,
then, after bombing Pearl Harbor in 1941, the United States
and the Allied Forces. Following Japan's surrender to the U.S.
in 1947, the country was occupied by the Allied Forces under
the command of U.S. General Douglas Mac Arthur. In 1952, occupation
was ended with the Treaty of San Francisco and Japan began its
economic recovery. Over the past 50 years, Japan has become
one of the world's leading economic powers and a cultural leader.
Heisei period to present (1989- present)
Today, the reigning emperor is Emperor Akihito who acceded
to the throne on January 7, 1989 upon the death of his father,
Emperor Hirohito. In April of 1959, then Crown Prince Akihito
married a commoner, Michiko Shoda, the eldest daughter of the
president of a large flour manufacturing company. Emperor Akihito
and Empress Michiko have three children: Crown Prince Naruhito,
Prince Fumihito and Princess Sayako. Crown Prince Naruhito studied
at Oxford University and in June of 1993 married Masako Owada,
the eldest daughter of an administrative vice-minister for foreign
affairs and herself a member of the diplomatic corps from which
she retired upon her engagement to the Crown Prince. On December
1st, Crown Princess Masako, gave birth to a baby girl who was
named Aiko one week later in an official ceremony called, Meimei-no-Gi.
Today there are more than 100 museums throughout Japan which feature
a broad variety of art from around the world. While Western popular
culture has greatly influenced the art and culture of Japan, Japanese
traditional culture continues to flourish as new cultural trends
develop and emerge.
 
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