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The
Japanese kimono which is perhaps one of the world's finest and
most recognizable national costumes traces its roots to China.
The earliest evidence of a kimono-like wrapped garment is seen
in the haniwa clay figures of the early 5th century. The
Chinese style of dress portrayed in the haniwa consisted
of a short wrapped robe or jacket over loose fitting trousers.
This style was well suited to the clothing needs of the agrarian
society which dominated Japan at the time. The Japanese nobility
adopted traditional Chinese court attire which consisted of a
loose upper garment with side slits and trousers for men and a
short wrapped upper garment and long flowing skirt for women.
In
the early 7th century, a kimono-like woven cotton undergarment
was introduced to Japan from China and is considered to be the
immediate predecessor of the kimono as we know it today.
During the Heian period (794-897), the kimono evolved into
an elaborate outer garment, however it was not until Japan severed
ties with China in 894 when a distinctly Japanese style of dress
emerged. Court nobles wore long trailing robes tied with a simple
sash, with open-ended elongated sleeves which reached the floor.
On ceremonial occasions, it became popular for ladies of the court
to wear multiple layers sometimes as many as 20 kimono
at a time. These were carefully selected based on their design
and color and each layer was meticulously revealed at the collar,
sleeve end and lower skirt. Men too wore elaborate kimono, however,
loose fitting trousers continued to be worn underneath.
When
the samurai class seized control of the country from the nobility
during the Kamakura (1192-1333) and Muromachi periods (1338-1573),
they adopted the dress of the nobility making the kimono
a popular form of everyday dress. While the samurai class continued
to wear the traditional kimono during ceremonial occasions,
the hakama emerged as a popular form of dress for the warrior.
Hakama are tailored trousers and
are worn with upper garments fitted with drawstrings at the sleeve
ends. Today hakama are still worn by practitioners of some martial
arts, kendo in particular.
The
next significant evolution of the kimono came during the
Edo period (1603-1868) when the sleeve became more tailored and
the obi (wide sash tied at the waist) was introduced. Since
then the kimono has changed little. Today while most Japanese
prefer to wear western clothes on a daily basis, the kimono is
still worn on special occasions such as weddings, funerals, New
Year's festivities and other holidays.
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How
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Different
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The
Obi
The
obi has taken on many forms over the centuries. While once
it was a simple sash designed to tie and secure the kimono, it
has evolved into a sophisticated, decorative element in kimono
fashion. The obi is classified based on the type of fabric
used, the width of the band, the type of occasion for which it
will be worn, the time of the year, the way it is tied or the
style of the bow and whether it is to be worn by a single or married
woman, a man or a boy. The obi averages about 10" wide
and 13 -14' long. The obi worn with the casual kimono
or yukata is typically made of fine linen or a woven fabric
and tends to be narrower in width. The obi worn with the
traditional kimono is usually made of a heavier-weight
silk which can be woven or a brocade, textured or decorated with
a design.
There
are over 300 different ways that the obi can be tied, however,
there are a couple of basic styles which are most popular. The
taiko-obi gets its name from the Taiko-bashi which
means "Drum Bridge". The taiko-obi therefore loosely resembles
a drum and there are a number of versions of this style of bow.
The taiko-obi is very traditional and generally worn by
married women. A popular bow style worn by unmarried women at
more formal occasions is the fukura suzume (plump sparrow)
which resembles a sparrow with it's wings spread.
There
are a number of important accessories used in securing and adorning
the obi. The obi-ita is a flat, stiff waist band
which keeps the kimono in place and provides a good base for the
obi. The obi-makura which literally means "obi-pillow"
is a thick pad which is inserted into the obi while it
is tied to give the obi bow shape and form. The obi-age
is usually made from shibori (crepe) and is used to secure
the obi-makura. It is tied in the front and the ends are
tucked into the front of the obi. Since the obi-age
is seen, it is color coordinated with the rest of the outfit.
The obi-jime is a braided or sewn cord made of silk, satin
or gold or silver brocade and is tied around the center of the
obi. The obi-dome is a broach which is fastened to
a cord similar to the obi-jime and also tied around the
center of the obi. It used strictly for accent and not
considered an essential part of kimono fashion.
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How
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The
kimono is typically about three feet longer than the distance
between the shoulders and the feet. It is therefore first tied
at the waist with a koshi-himo or "hip sash" made of a
lightweight fabric so that it is just long enough to cover the
foot-line. Then the excess fabric is carefully folded down over
the koshi-himo. (This folded edge must be long enough so
that it shows beneath the bottom of the obi creating an even,
parallel line.) Then, another koshi-himo is tied over the
fold at the waist securing it in place. The date-jime (waistband)
is wrapped around the waist which is the last step in putting
on the kimono.
The
obi is then tied by starting with placing the obi
over the left shoulder so that the front or short end (te)
just reaches the waist, and the long end (tare) drapes to the
floor over the back. The tare is wrapped around the waist, the
obi-ita is inserted in the front, and the tare is
wrapped around the waist again. The tare is placed over
the right shoulder, a temporary sash is used to secure it in place.
The obi-makura (pillow) is tied in place by the obi-age
so that the fullest part of the "pillow" is where the fullest
part of the obi bow will be. The obi is then carefully
tied and secured creating whichever obi bow style is desired.
The ends of the obi-age are tucked into the top front of
the obi. The obi-jime is then fed through the bow
in the back and is tied in the center, front of the obi.
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Different
kinds of Kimono
There
are many different kinds of kimono. Here is a simple breakdown:
Popular
Kimono
- Omeshi
is a versatile kimono considered appropriate for visiting or
daily wear. Typically omeshi are made out of silk, however,
rather than a colorful floral motif as is popular in more formal
kimonos, the fabric usually consists of striped pattern,
a special woven pattern (kasuri) or a geometric design
inspired by nature. They are usually tied with a simple half-width
obi.
- Wool
kimonos not only serve to protect against the cold
but are considered versatile and easy to care for and therefore
very convenient.
- Yukata
is an unlined cotton kimono. Originally yukata
were worn when coming out of a Japanese bath or hot spring,
however recently they have also become popular in summer as
a casual kimono alternative. The fabric consists of a
simple pattern of indigo and white, however sometimes other
colors are used. The simple half-width obi is tied at
the waist and wooden clogs (geta) are worn. The yukata
is popularly worn during summer family outings to festivals
and fireworks displays.
- Johfu
are kimono hand-woven of fine linen and are a little
more formal than the yukata. The inner-garment collar
is color coordinated and visible. Silk or fine cotton woven
obi are tied at the waist.
Formal
Kimono
- Kuro
tomesode is a formal kimono worn by married women.
It has a black field decorated on the bottom with an elegant,
usually floral, design - and the husband's family crest, in
white, appears in 5 places: on the back of both sleeves, on
the left and right breast and high on the back mid-seam. The
inner-garment collar is white, the more formal fukuro
or double-fold obi is used and zohri (Japanese
sandals) are worn with white tabi (split-toed socks).
The sleeves are considerably shorter in length than those of
the furisode and therefore the tomesode is considered
more appropriate for married women.
- Iro
tomesode is like the kuro tomesode except that
instead of black, the background is usually a light color. It
was originally worn by ladies of the court, however today, it
is worn at formal occasions.
- Furisode
which means "waving sleeve" is a kimono with very long,
full sleeves. It was once thought that a young woman could "wave"
the "sleeves" of her kimono and win the heart of a man
even from afar. The furisode was then as it is now, reserved
for unmarried women. It is colorful and made of the finest silk
meticulously decorated by hand painting, detailed embroidery
and gold leafing. The obi, zohri and accessories
are chosen to compliment the colors of the kimono and are usually
bright and cheerful. The furisode is most like the kimono
worn by young geisha.
- Hohmongi
is a more casual version of the tomesode or the furisode
which is worn when visiting someone. Hohmon literally
means "visit" and gi means an item which is worn.
- Uchikake
is a full-length outer robe which was worn by ladies of samurai
or noble families on formal occasions. Today it is worn over
the shiromuku as part of the traditional bridal costume.
- Shiromuku
literally means "white, pure" and it has been worn by brides
for centuries as it still is today. It symbolizes the bride's
purity and willingness to fit into her husband's family.
- Mofuku
or mourning wear is a black kimono devoid of any pattern
except for the five family crests. The obi and all accessories
are also black except for tabi, which are white.
Kimono for Men
Kimono
for men are usually of subdued color and little or no pattern.
The ceremonial kimono is the kuro-montsuki which literally
means "black - with the family crest." The kuro-montsuki
is made of black silk and is decorated with the family crest,
in white, which appears in 5 places: on the back of both sleeves,
on the left and right breast and high on the back mid-seam. The
inner kimono collar can be white, gray or brown. The
haori or mid-length kimono jacket is worn over the
kuro-montsuki. The haori is also made of black silk,
decorated with the 5 family crests and is tied with white silk
cord. The hakama is a long pleated skirt made of striped
silk, usually gray and black in color. White tabi (split-toed
socks) are worn with simple, striped zohri (Japanese sandals).
The kaku (stiff) obi is tied low on the waist. The
only accessory is a white folding fan which is either held in
the hand or inserted in top of the hakama.
For informal
occasions, the kimono can be in various shades of brown
and gray and made of spun silk or wool. The kaku-obi is
used and tabi are dark blue and are worn with either zohri
or geta. The cotton summer kimono is worn with the
heko (soft) obi and with geta without tabi.
The yukata is popularly worn during summer family outings
to festivals and fireworks displays.
Kimono for Children
Just like
adults, it is customary for children to wear yukata to
outings like summer festivals and fireworks displays. Another
time of year when it is popular for children to wear kimono
is on November 15th in celebration of the festival, shichigosan.
Shichigosan literally means "seven, five, three". Typically
children of three, five and seven years of age dress in ceremonial
kimono and go to Shinto shires for blessings. The girls
wear very colorful kimono and adorn their hair with cheerful
hair ornaments. Young boys wear a kimono and haori
decorated with the family crest and pleated pants or hakama
which are lightly patterned.
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- Undergarments
include the hadajuban which is a lightweight wraparound
cotton or linen undershirt and the susoyoke which is
a full-length half slip. Over that the nagajuban or full-length
under-kimono is worn which is made of a medium-weight
fabric. The nagajuban is secured with a waistband called
a date-jime. The han-eri which literally means
"half-collar" is sewn into the kimono collar in order
to create a clean, crisp neckline.
- Haori
is a lightweight jacket worn over more formal kimonos.
It can vary in length and pattern depending on the occasion.
The word haori is derived from the verb, "haoru"
which means "to put on". There are other jackets or coats also
worn over the kimono including the michiyuki which
is a longer coat generally worn when traveling, the dohchuh-gi
which is a more casual coat worn to protect from dust or the
cold and a raincoat which is specially designed to be worn over
the kimono.
Hair
ornaments in the form of hair combs or hairpins are used when
wearing a kimono since the hair is typically worn up,
off the neck. They are typically made of natural wood, lacquered
wood, tortoise shell and metal and they are usually painted
or decorated with beads of jade and coral. The type of hair
ornament used is determined by the age of the woman, the occasion
and the style of the kimono itself.
- There are
special purses designed for use with kimonos. They are
usually rather small in size and can be made from leather and
a variety of fine fabrics. The purse is coordinated with the
rest of the outfit and often times it reflects the color or
style of the zohri being worn.
Footwear
- Tabi
are socks which are split between the big toe and the rest of
the toes so that zohri or geta can be worn comfortably.
They are made of a sturdy woven fabric, and are bright white
in color, except sometimes men wear black ones on certain occasions.
- Zohri
are Japanese sandals worn with tabi. The base of zohri
have traditionally been made of lacquered wood however today,
zohri are commonly made of sturdy vinyl. The straps can
made of a variety of materials and patterns including woven
cloth, brocade, leather, vinyl, etc. Zohri are chosen
based on the kimono to be worn and the occasion.
Geta
are elevated wooden sandals which are typically worn without
tabi and with the casual kimono or yukata.
The wood base can be made of cypress, oak, cedar, etc. with
a natural finish and the straps are usually made of woven fabric,
velveteen or leather.
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