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Japanese traditions
and customs have been evolving over a period of thousands of years
and involve every aspect of Japanese life. The kimono
or traditional Japanese dress was the basic form of dress for
all Japanese until recent times however, even today it is customary
to wear kimono for special celebrations and cultural events.
The refined arts of tea ceremony (shadoh),
flower arrangement (ikebana) and
bonsai (the cultivation of miniature
trees) are still enjoyed and practiced by Japanese young and old
alike and have quite a following worldwide. Even origami
(the art of paper-folding) is so popular that children in the
United States have come to enjoy this traditional pastime just
like children in Japan. Another less well known but common Japanese
custom is a traditional form of fortune telling called omikuji.
Because of increased worldwide interest in the esoteric, omikuji
has also come to the attention of many.
Tea Ceremony
(cha-no-yu) or (sadoh)
The Japanese
tea ceremony is a ritualized way of preparing and drinking tea
which was perfected in the latter half of the 18th century by
Sen-no-Rikyu. It was inspired by Zen and continues to reflect
the Zen ideals of aestheticism, peace, harmony and discipline.
Today it is still a popular pastime, and for many it is a welcome
respite from the hustle and bustle of busy modern-day life.
Continue...
Flower
Arrangement
(ikebana)
Ikebana
or the art of flower arrangement, is the traditional Japanese
way of arranging flowers to represent the earth, the sky and man
based on strict aesthetic ideals and the ultimate harmony of all
nature. Beginning more than six hundred years ago, ikebana
was first practiced in Buddhist ritual. Like the Indian custom
of honoring Buddha by strewing flowers all about the alter, the
Japanese adopted this custom introduced directly from China and
began making more formal arrangements which were placed on Buddhist
alters. Eventually this practice evolved to include the making
of flower arrangements to honor the dead and they were done in
adherence to Buddhist beliefs and almost exclusively by priests.
A strict style emerged in which a tall upright central stem was
accompanied by two progressively shorter stems representing heaven,
earth and man, accordingly. By the fifteenth century, ikebana
was elevated to an art form which also became a popular pastime
among the nobility and eventually the middle-class.
Over the years
many different schools of ikebana developed including the
first and perhaps most famous, Ikenobo. A Buddhist priest
from the Rokkakudo Temple in Kyoto became so adept at flower arrangement
that priests from all over came to him for instruction. Since
he lived alongside a lake, his style came to be known as ikenobo
meaning "next to the lake". To this day, the Ikenobo school of
flower arrangement is one of the most beloved in Japan and there
are many schools which teach this style. Later in the fifteenth
century, the rikka style emerged which was based on the
ikenobo style but with more formal rules of arrangement.
The seika or shoka style developed in the late eighteenth
century and is characterized by a tight bundle of stems which
support a three branched, asymmetrical triangular design. These
styles together are referred to as the "classic style."
In the early
twentieth century, ikebana became popular among well-to-do
women and many new styles emerged. While the type of vase used
in arrangements was always given great artistic consideration,
it wasn't until much later when two styles emerged which were
specific to the actual shape of the vase used to hold the flowers.
The moribana style is characterized by a low, shallow,
broad vessel and a very open arrangement while the nageire
style features a tall vase and an arrangement which is supposed
to look like it was casually "thrown into the vase". The moribana
style was developed by a professor of the Ikenobo school, Unshin
Ohara who started using the shorter stemmed Western flowers brought
to Japan during the Meiji period and put them in squat vases accordingly.
When he asked the Ikebono school to incorporate his new style
into their teachings and was refused, he started his own ikebana
school, the Ohara school, which is still popular today. Gradually
freer and more colorful styles of ikebana emerged and in
1926, Sofu Teshigahara founded the Sogetsu School.
Over the years,
there has been some borrowing of styles between Japan's ikebana
schools and sometimes in more modern styles, the incorporation
of inanimate objects and dried flowers in arrangements. At the
same time, ikebana which was originally an art form associated
with Buddhist tradition, has become a popular decorative element
in Japanese style and beautiful arrangements can be seen in hotels,
restaurants, galleries and of course, the Japanese home. While
there are numerous ikebana schools and styles today, the
three most famous are the Ikenobo school, the Ohara school and
the Sogetsu school. Traditionally, masters of ikebana were
men beginning with the Buddhist priests of the early fifteenth
century, however, in recent years, Japanese women have become
ikebana masters in their own right. Schools of ikebana
are located throughout Japan and it continues to be a popular
pastime among young and old, men and women.
Kimono
In the early
7th century, a kimono-like woven cotton undergarment was introduced
to Japan from China and is considered to be the immediate predecessor
of the kimono as we know it today. During the Heian period
(794-897), the kimono evolved into an elaborate outer garment,
however it was not until Japan severed ties with China in 894
when a distinctly Japanese style of dress emerged. Court nobles
wore long trailing robes tied with a simple sash and open-ended
elongated sleeves which reached the floor. On ceremonial occasions,
it became popular for ladies of the court to wear multiple layers
sometimes as many as 20 kimono at a time. These were carefully
selected based on their design and color and each layer was meticulously
revealed at the collar, sleeve end and lower skirt. Men too wore
elaborate kimono, however, loose fitting trousers continued
to be worn underneath. Continue...
Bonsai
Bonsai
(planting in trays) is the art of cultivating miniature trees
which was introduced to Japan from China around the thirteenth
century. In China, bonsai is believed to have originated
over a thousand years ago as the potting of tree specimens. Later,
these trees became prized for their gnarled roots which resembled
animals, dragons and birds and became associated with myth and
legend. Over the years, Japanese bonsai evolved into an
expression of personal aesthetic consistent with the teachings
of Zen Buddhism and the interrelationship of man, nature and the
elements. It is said that the three basic tenets of bonsai
are shin-zen-bi which means, truth, goodness and beauty.
Bonsai
trees are grown in small ceramic pots and through careful and
systematic pruning, root trimming, transplanting, watering and
fertilization are cultivated to become works of art in their own
right. Like their counterparts in the wild, bonsai trees
can live to be hundreds of years old and it is not uncommon for
a family to pass on a bonsai tree from generation to generation.
Although an ever widening variety of trees are used in bonsai,
traditionally, pines, azaleas and maples are the most popular.
Bonsai trees are usually cultivated in their pots outdoors
but sometimes they are brought into the Japanese home on special
occasions and displayed. Those cultivated outdoors experience
the usual seasonal changes including the changing of leaf color
in autumn, the dropping of leaves in winter and the new growth
of spring.
The Art of Folding Paper
(origami)
How
to make origami
Origami
is the Japanese art of paper-folding. Ori comes from the
verb oru which means "to fold" and gami comes from
the word kami which means paper. Since the Chinese invented
paper sometime during the first century A.D., they also began
folding paper to create a variety of useful and decorative objects.
Buddhist priests studying in China first brought paper to Japan
during the sixth century and paper-folding was soon adopted in
religious rituals and daily customs. Paper-folding was primarily
used as a way to wrap special objects and gifts and this tradition
continues to this day. Over the years, paper-folding developed
into a popular pastime for children who learned how to fold a
variety of origami "toys" including, birds, boxes, animals
and fish. The first book written about origami was, "Senbazuro
Orikata" (The Way to Fold a Thousand Cranes) which was published
in 1797.
The paper
crane is perhaps the most popular and famous of all origami
objects. Legend has it that 1,000 folded cranes will bring health
and good fortune and it is customary to make 1,000 paper cranes
for people who are ill with the hopes that they will recover.
Each year millions of paper cranes are sent by people from all
over the world to the Peace Memorial Park in Hiroshima as a symbol
of peace and in memory of those who died as a result of the atomic
bomb dropped on the city in 1945.
In the 1930's, a Japanese artist named Akira Yoshizawa began
creating new origami designs and innovative
techniques for folding paper never before
seen. His work has greatly inspired not only
Japanese people but paper-folders the world
over. Today origami has become so popular
that there are hundreds of origami
associations and clubs in countries throughout
the world including the U.S., England, Spain,
Germany, Colombia, Israel and Singapore. It
is not uncommon to find young American school
children who know how to make one or two basic
origami objects just like children
do in Japan.
Suggested
reading for children:
"Sadako and the Thousand Paper Cranes" by Eleanor Coerr
Omikuji
Omikuji
is a traditional form of Japanese fortune telling in which a person's
fortune is written on piece of folded paper and is typically sold
at Shinto Shrines and Buddhist Temples for about 100 yen. These
fortunes are either drawn at random from a box or purchased from
a vending machine. Omikuji can range from excellent to
poor and tell about various aspects of life including love, business,
academics, special wishes, travel etc. Many Japanese visit shrines
and temples at the New Year and enjoy learning their fortune in
this manner. Omikuji are usually not taken seriously and
are read with a sense of fun. Once the omikuji is read,
many people tie them on trees and pillars at temples and shrines
for good luck.
 
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